{"id":160,"date":"2020-04-29T14:42:53","date_gmt":"2020-04-29T14:42:53","guid":{"rendered":"https:\/\/theartof.artmarthapuch.com\/?page_id=160"},"modified":"2020-05-10T13:15:34","modified_gmt":"2020-05-10T13:15:34","slug":"resume","status":"publish","type":"page","link":"https:\/\/theartof.artmarthapuch.com\/?page_id=160","title":{"rendered":"Resume"},"content":{"rendered":"\t\t
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Resume<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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In 1965 Martha entered the world of the Arts by enrolling in the Faculty of Architecture and the School of Fine Arts in Arequipa, Peru where she studied until 1970. <\/span><\/p>

Martha continued her development in the United States by following courses in 1977 on the concepts of “artistic anatomy” at the State University of New York at Purchase and, in 1981 and 1982, at the Institute from Houston, Texas where she graduated from Commercial Art.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Many activities in the field of architecture and painting allowed him to discover and make discover works and artists:<\/span><\/p>

\u00b7 Exhibits:<\/b><\/p>

– \u00ab\u00a0Sentiments voil\u00e9s<\/b>\u00a0\u00bb en Ministerio de Economia y Finances en Bercy (Paris). Febrero 2002 (exposici\u00f3n individual).

– \u00ab\u00a0Mascaras<\/b>\u00a0\u00bb en Embajada del Per\u00fa. Marzo 2001 (exposici\u00f3n individual).

– \u00ab\u00a0Mascaras<\/b>\u00a0\u00bb \u00e0 la Galerie Paris-Musique en Juin 2000 (exposici\u00f3n individual).

– Exposition collective \u00ab\u00a0Art 2000<\/b>\u00a0\u00bb Homenaje a Jose Maria Serte – Palais des Nations Gen\u00e8ve. Mayo 2000 (exposici\u00f3n collectiva).

– Xe Biennale des artistes du Vie Paris Avril 2000 (c)

– Exposition \u00ab\u00a0Encuentro de dos mundos<\/b>\u00a0\u00bb, mairie de Ferney-Voltaire en Mars 2000 (individuelle)

– \u00ab\u00a0Infancia<\/b>\u00a0\u00bb \u00e0 la Soci\u00e9t\u00e9 G\u00e9n\u00e9rale de Ferney-Voltaire en Mars 2000 (individuelle)

– \u00ab\u00a0Calas<\/b>\u00a0\u00bb \u00e0 la Galerie Mailletz \u00e0 Paris en septembre 1999 (individuelle)

– \u00ab\u00a0Mascaras<\/b>\u00a0\u00bb Universidad Nacional San Agustin Arequipa P\u00e9rou en juillet 1999 (individuelle)

– \u00ab\u00a0des femmes<\/b>\u00a0\u00bb \u00e0 l’Ambassade du P\u00e9rou en France en janvier 1998 (individuelle)

– \u00ab\u00a0des femmes<\/b>\u00a0\u00bb \u00e0 la Maison du P\u00e9rou \u00e0 Bordeaux en octobre 1997 (individuelle)

– \u00ab\u00a0des Femmes<\/b>\u00a0\u00bb \u00e0 la Salle Capitulaire de la Cour Mably \u00e0 Bordeaux en Mai 1997 (individuelle)
– \u00ab Couleurs du quartier \u00bb au Latina \u00e0 Paris en Mars 1997 (collective)

– \u00ab\u00a0Trois P\u00e9ruviens \u00e0 Paris<\/b>\u00a0\u00bb \u00e0 \u00ab\u00a0Voyageur du monde \u00bb\u00a0<\/b>\u00e0 Paris en juin 1996

– au Restaurant \u00ab\u00a0El Picaflor<\/b>\u00a0\u00bb \u00e0 Paris en novembre 1995

– \u00ab\u00a0Des Artistes du Soleil<\/b>\u00a0\u00bb \u00e0 Moret sur loing en octobre 1994

– \u00ab\u00a0Portraits<\/b>\u00a0\u00bb \u00e0 Washington en avril 1984

– 2 expositions collectives du \u00ab\u00a0Groupe des Artistes Ind\u00e9pendants\u00a0<\/b>\u00bb \u00e0 l’Institut d’Art de Houston au Texas en 1981 et 1982<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Conferences:<\/b><\/p>

– \u00ab\u00a0La peinture Fran\u00e7aise \u00e0 travers l’histoire et la pens\u00e9e\u00a0<\/b>\u00bb en Dushanbe Tadjikistan<\/span><\/p>

– \u00ab\u00a0Les Nabis<\/b>\u00a0\u00bb \u00e0 Cross Road Ass. \u00e0 Fontainebleau<\/p>

– \u00ab\u00a0Les Nabis<\/b>\u00a0\u00bb au Centre Culturel \u00ab Campo Abierto \u00bb \u00e0 Lima (P\u00e9rou)<\/p>

– \u00ab\u00a0La peinture en Am\u00e9rique Latine<\/b>\u00a0\u00bb au Art Center de Bombay (Inde)<\/p>

– \u00ab\u00a0Rembrant et Van Gogh<\/b>\u00a0\u00bb \u00e0 l’Instituto Cultural Peruano Norte Americano d’Arequipa (P\u00e9rou)<\/p>

– \u00ab\u00a0Technique du regard pour le dessin, la ligne et la couleur<\/b>\u00a0\u00bb \u00e0 l’Instituto Cultural Peruano Norte Americano d’Arequipa (P\u00e9rou)<\/p>

– \u00ab\u00a0Matisse et la Couleur\u00a0<\/b>\u00bb \u00e0 Cross Road Ass. \u00e0 Fontainebleau.<\/p>

– \u00ab\u00a0Monet<\/b>\u00a0\u00bb \u00e0 la Galerie \u00ab Trapecio \u00bb \u00e0 Lima (P\u00e9rou)<\/p>

– 4 conf\u00e9rences : \u00ab\u00a0Rembrant, L\u00e9onard de Vinci, Turner, Van Gogh<\/b>\u00a0\u00bb au C.A.L.V. \u00e0 Fontainebleau<\/p>

– \u00ab\u00a0L’Art du textile Pr\u00e9-colombien\u00a0<\/b>\u00bb \u00e0 Balene Gallery of Art de Houston Texas (U.S.A.)<\/p>

– \u00ab\u00a0L’habitat des indiens p\u00e9ruviens au cours des si\u00e8cles<\/b>\u00a0\u00bb Conf\u00e9rence donn\u00e9e \u00e0 un groupe de sociologues et d’architectes, organis\u00e9e par Madame Patricia Yaeger \u00e0 Houston Texas (U.S.A.)<\/p>

– \u00ab\u00a0Peinture, Sculpture et Architecture du Moyen-Age en France<\/b>\u00a0\u00bb \u00e0 l’Ecole Saint Michael \u00e0 Houston Texas (U.S.A.)<\/p>

– Des cours d’histoire de l’Art, de dessin et de peinture pour adultes et enfants.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Study trips: <\/span><\/strong><\/p>

– in 1978 and 1980 to study the architecture of the medieval and Renaissance ages in France, <\/span><\/p>

– in 1979 to guide a group of French architects and archaeologists to study the Inca and colonial culture of Peru, – in 1970, on rural and urban architecture in Peru, Mexico and Venezuela.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Resume In 1965 Martha entered the world of the Arts by enrolling in the Faculty of Architecture and the School of Fine Arts in Arequipa, Peru where she studied until 1970. Martha continued her development in the United States by following courses in 1977 on the concepts of “artistic anatomy” at the State University of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/theartof.artmarthapuch.com\/index.php?rest_route=\/wp\/v2\/pages\/160"}],"collection":[{"href":"https:\/\/theartof.artmarthapuch.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theartof.artmarthapuch.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theartof.artmarthapuch.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theartof.artmarthapuch.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=160"}],"version-history":[{"count":7,"href":"https:\/\/theartof.artmarthapuch.com\/index.php?rest_route=\/wp\/v2\/pages\/160\/revisions"}],"predecessor-version":[{"id":309,"href":"https:\/\/theartof.artmarthapuch.com\/index.php?rest_route=\/wp\/v2\/pages\/160\/revisions\/309"}],"wp:attachment":[{"href":"https:\/\/theartof.artmarthapuch.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}